The “Meerwijk” district in Schalkwijk, built in the 1960s, has been built on the corner of Bernadottelaan and Albert Schweizerlaan. This center is part of the urban design that was made by our office in 2001. The building with retail spaces, including the Vomar supermarket, an underground parking garage with 215 places and 74 apartments, is one of the sub-plans of the community center. The whole has a modern, transparent and friendly character and adapts well to the neighborhood.
| Architects | Ronald Knappers |
| Client(s) | Hoorne b.v. |
Home and Living Mall Ekkersrijt is located on the north of Eindhoven, directly at the highway A50. In 2013 the existing shopping mall (21.000 sq.mtrs) has been extensively renovated and expanded with 24.000 sqr.mtrs.
New look and feel
The existing building was outdated and made up of separate buildings, with closed unattractive facades and entrances, shop windows only facing the courtyard. Experience and length of stay have been central themes to the renovation and expansion. The new complex has been given a contemporary, modern feel. Old, loose components and constructions are forged into a recognizable, homogeneous unit, which is easily visible from the public road. In addition, a pleasant living environment has been created for visitors. The original stores remained open during this major redevelopment. With intensive consultation and coordination between designer, consultants, tenants and builder the inconvenience during the construction has been limited to a minimum. With this transformation the center has been made future-proof.
Renovation
Existing shops have been given new facades to meet with the requirements of present times and to become one with the extension. Besides facades also the roof has been thoroughly upgraded and installations (among others sprinkler system) have been replaced, modernized. Signing is carefully incorporated and nowhere predominant.
Extension
The new building has a distinctive façade of metal with a specifically, laser cut pattern. Recessed into the façade are the neon signs and the ramps to the parking deck. The movements of the cars on the ramps provides extra dynamism in a natural way.
On the former courtyard a freestanding oval new shop building is made. This building forms the heart of the new home and living mall and is, due to its special design, an icon to the highway and nearby. From the parking deck visitors reach the heart through walkways and they go with elevators and escalators to the open and indoor malls on the lower levels of the complex. Shops on the upper floors thereby have the same run as on the ground floor. Because of the oval building shopping at ground level has a pleasant scale with shops on both sides.
In close consultation with the municipality of Leiden, VVKH has developed an urban development plan for the redevelopment of two office buildings on Verbeekstraat in Leiden. What is currently a densely populated area dominated by cars will soon become a vibrant, green, and people-friendly residential area. In line with the municipality's high-rise vision, several buildings will be added along Plesmanlaan, creating a new cityscape along this access road to the city. Together with the developments at the Bio Science Campus on the opposite side of the road, this will create a new and innovative urban district.
The plan ‘de Biezenhof’ is part of the new residential area ‘Waterrijk Woerden’ and is situated along a natural watery region. The urban scheme of ‘Waterrijk Woerden’ was designed by West 8 and refers to the traditional Dutch water cities such as Delft and Leiden. The design is made in collabiation with Klunder architects. Almost every dwelling is individual and has a specific connection to the water.
The plan of Biezenhof is divided in two parts: there is one block of family houses around a courtyard on the edge of the lake, and there is a row of water houses and apartments along a canal.
The buyers of the houses could choose between several types of houses as well as between four architects. Due to the possibilities in combining type and architect, not one house is the same. Every house has a singular character: the lake houses have a beautiful view on the lake, the street houses have a garden, and the canal houses enclose big terraces. In the public space there are a few parking places, the majority of parking places are organised in garages.
The houses designed by Knappers are characteristic because of the huge roof overhanging the façade. This contributes to the shelter-against-the water identity of the houses, and refers to the greenhouse glass constructions in the low lands. At the street side these houses are made of brick, which gives them a closed and open (to the light and the water) individuality.
Villa Meijendel takes its name from the nature reserve in which it is located, where a forest meets a valley of dunes. The house is constructed from concrete and set into the side of a sandy slope. The building's design aims to create a dialogue with its surroundings, both through the way the form and materials engage with the landscape, and through the use of glass to provide views out from and into the house.
The boxy geometric structure is entirely clad in charred timber, creating a textured black surface that appears different depending on how sunlight falls on it. The exterior finish, inspired by the ancient Japanese shou sugi ban technique, also helps to preserve the wood. Sometimes the house is almost invisible against the dark edge of the forest, sometimes it sparkles in the sunlight because of the glittering charred wood, as such forming a background for the play of shadows of tree trunks and branches. The villa hides and reveals itself in the landscape.
The property has its entrance on a middle level accommodating an office and two bedrooms. Stairs ascend to an open-plan kitchen and living space, and drop down to a master bedroom and gym room.
The living room features a full-height corner window that looks out through the trees towards the dune valley. A lower window facing to the rear and a large glazed surface lining the adjacent double-height circulation area face out onto the forest. At the far end of the first floor, sliding glass doors lead out from the kitchen onto a terrace.
The material palette –concrete, steel and anodised aluminium– was chosen to complement the tones and textures of the surrounding environment. Each material is applied in a raw, untreated form. Internally, the walls are finished with smooth concrete, while the rough-sawn Douglas fir beams supporting the ceilings feature a distinctive grain.
West 8, Adriaan Geuze, is responsible for the garden design.
Photography is by Christian van der Kooy
