"PURE LIVING"; the winning housing concept for the ‘Klop’ location in Alphen aan den Rijn
Together with Bemog Projectontwikkeling we have developed a vision for 3rd stage of this location in Alphen aan den Rijn. The location is the final piece of the residential area of Kerk en Zanen. It is located on the edge of the Green Heart, with beautiful sight lines on the polders. From the N11, the peripheral buildings will become the first sight of Alphen aan den Rijn.
A sustainable plan has been developed for this location (zero on the meter), which in terms of architecture fits seamlessly into the green environment. The 'Pure Living' concept consists of 40 terrace apartments, 20 water houses, 16 linked villas, a utility and neighborhood facility and a built-in parking facility. The peripheral buildings with the linked water houses and the two apartment buildings form the green boundary of the polder landscape of ‘het Groene Hart’. The greenery of the polder is visually extended into the buildings by giving each apartment its own (terrace) garden. The semi-detached villas are positioned in various ways and are adapted according to buyer's wishes.
| Architects | Ronald Knappers, Thomas Gillet |
| Client(s) | Bemog Projectontwikkeling |
The “Villa van Bergenlaan” is located in Rijksdorp, Wassenaar, on the edge of a Natura 2000 protected area.
Situated along a dune ridge, it overlooks the Lentevreugd nature reserve. The villa is modest in expression, partially embedded into the dune, allowing it to become an integral part of the landscape. Energy for the house is generated from sun and air. Because the villa is partly underground, a hybrid structure of concrete and timber has been created.
The materials — including native oak, Fraké wood, concrete, and anodized aluminium — reveal their natural character; nothing is concealed, and in some cases the materials are given a special treatment, such as the wooden slat pattern cast into the concrete. The external façade, one to two storeys high, is clad in timber with concealed window frames.
Characteristic of the villa is the experience of light, space, materiality, and connection with the surrounding landscape. The villa is composed as a sequence of distinct spatial volumes — a modern interpretation of the “Raumplan” principle.
Villa Meijendel takes its name from the nature reserve in which it is located, where a forest meets a valley of dunes. The house is constructed from concrete and set into the side of a sandy slope. The building's design aims to create a dialogue with its surroundings, both through the way the form and materials engage with the landscape, and through the use of glass to provide views out from and into the house.
The boxy geometric structure is entirely clad in charred timber, creating a textured black surface that appears different depending on how sunlight falls on it. The exterior finish, inspired by the ancient Japanese shou sugi ban technique, also helps to preserve the wood. Sometimes the house is almost invisible against the dark edge of the forest, sometimes it sparkles in the sunlight because of the glittering charred wood, as such forming a background for the play of shadows of tree trunks and branches. The villa hides and reveals itself in the landscape.
The property has its entrance on a middle level accommodating an office and two bedrooms. Stairs ascend to an open-plan kitchen and living space, and drop down to a master bedroom and gym room.
The living room features a full-height corner window that looks out through the trees towards the dune valley. A lower window facing to the rear and a large glazed surface lining the adjacent double-height circulation area face out onto the forest. At the far end of the first floor, sliding glass doors lead out from the kitchen onto a terrace.
The material palette –concrete, steel and anodised aluminium– was chosen to complement the tones and textures of the surrounding environment. Each material is applied in a raw, untreated form. Internally, the walls are finished with smooth concrete, while the rough-sawn Douglas fir beams supporting the ceilings feature a distinctive grain.
West 8, Adriaan Geuze, is responsible for the garden design.
Photography is by Christian van der Kooy
In close consultation with the municipality of Leiden, VVKH has developed an urban development plan for the redevelopment of two office buildings on Verbeekstraat in Leiden. What is currently a densely populated area dominated by cars will soon become a vibrant, green, and people-friendly residential area. In line with the municipality's high-rise vision, several buildings will be added along Plesmanlaan, creating a new cityscape along this access road to the city. Together with the developments at the Bio Science Campus on the opposite side of the road, this will create a new and innovative urban district.
The plan ‘de Biezenhof’ is part of the new residential area ‘Waterrijk Woerden’ and is situated along a natural watery region. The urban scheme of ‘Waterrijk Woerden’ was designed by West 8 and refers to the traditional Dutch water cities such as Delft and Leiden. The design is made in collabiation with Klunder architects. Almost every dwelling is individual and has a specific connection to the water.
The plan of Biezenhof is divided in two parts: there is one block of family houses around a courtyard on the edge of the lake, and there is a row of water houses and apartments along a canal.
The buyers of the houses could choose between several types of houses as well as between four architects. Due to the possibilities in combining type and architect, not one house is the same. Every house has a singular character: the lake houses have a beautiful view on the lake, the street houses have a garden, and the canal houses enclose big terraces. In the public space there are a few parking places, the majority of parking places are organised in garages.
The houses designed by Knappers are characteristic because of the huge roof overhanging the façade. This contributes to the shelter-against-the water identity of the houses, and refers to the greenhouse glass constructions in the low lands. At the street side these houses are made of brick, which gives them a closed and open (to the light and the water) individuality.
