The plan ‘de Biezenhof’ is part of the new residential area ‘Waterrijk Woerden’ and is situated along a natural watery region. The urban scheme of ‘Waterrijk Woerden’ was designed by West 8 and refers to the traditional Dutch water cities such as Delft and Leiden. The design is made in collabiation with Klunder architects. Almost every dwelling is individual and has a specific connection to the water.
The plan of Biezenhof is divided in two parts: there is one block of family houses around a courtyard on the edge of the lake, and there is a row of water houses and apartments along a canal.
The buyers of the houses could choose between several types of houses as well as between four architects. Due to the possibilities in combining type and architect, not one house is the same. Every house has a singular character: the lake houses have a beautiful view on the lake, the street houses have a garden, and the canal houses enclose big terraces. In the public space there are a few parking places, the majority of parking places are organised in garages.
The houses designed by Knappers are characteristic because of the huge roof overhanging the façade. This contributes to the shelter-against-the water identity of the houses, and refers to the greenhouse glass constructions in the low lands. At the street side these houses are made of brick, which gives them a closed and open (to the light and the water) individuality.
| Architects | Ronald Knappers, Krijn Tabbers |
Middelsee is the expansion plan on the southwest side of Leeuwarden, based on an urban design by West 8. The Frisian water city serves as a source of inspiration. Commissioned by the smallest housing association in the Netherlands, we have designed a plan for homes arranged around two green courtyards. It forms a small-scale community with plenty of space for encounters, and a robust waterfront with the apartment building as its eye-catcher.
Using simple means, variety is created so that no more than two houses are ever the same. The foundation remains consistent: a compact floor plan, lightly jointed red brickwork, and solid white window frames. We introduce variation through a dormer or a brick roof extension, a roof edge detail, or a distinctive entrance feature. The client’s existing housing stock in Leeuwarden’s city center also served as inspiration — a characteristic working-class neighborhood with abundant greenery.
In our plan, residents meet each other around private stoops and gardens bordered by low hedges, as well as along the wide galleries on the timber façade of the apartment building. Shared bicycle storage areas and shared cars also contribute to the sense of community.
The “Villa van Bergenlaan” is located in Rijksdorp, Wassenaar, on the edge of a Natura 2000 protected area.
Situated along a dune ridge, it overlooks the Lentevreugd nature reserve. The villa is modest in expression, partially embedded into the dune, allowing it to become an integral part of the landscape. Energy for the house is generated from sun and air. Because the villa is partly underground, a hybrid structure of concrete and timber has been created.
The materials — including native oak, Fraké wood, concrete, and anodized aluminium — reveal their natural character; nothing is concealed, and in some cases the materials are given a special treatment, such as the wooden slat pattern cast into the concrete. The external façade, one to two storeys high, is clad in timber with concealed window frames.
Characteristic of the villa is the experience of light, space, materiality, and connection with the surrounding landscape. The villa is composed as a sequence of distinct spatial volumes — a modern interpretation of the “Raumplan” principle.
Villa Meijendel takes its name from the nature reserve in which it is located, where a forest meets a valley of dunes. The house is constructed from concrete and set into the side of a sandy slope. The building's design aims to create a dialogue with its surroundings, both through the way the form and materials engage with the landscape, and through the use of glass to provide views out from and into the house.
The boxy geometric structure is entirely clad in charred timber, creating a textured black surface that appears different depending on how sunlight falls on it. The exterior finish, inspired by the ancient Japanese shou sugi ban technique, also helps to preserve the wood. Sometimes the house is almost invisible against the dark edge of the forest, sometimes it sparkles in the sunlight because of the glittering charred wood, as such forming a background for the play of shadows of tree trunks and branches. The villa hides and reveals itself in the landscape.
The property has its entrance on a middle level accommodating an office and two bedrooms. Stairs ascend to an open-plan kitchen and living space, and drop down to a master bedroom and gym room.
The living room features a full-height corner window that looks out through the trees towards the dune valley. A lower window facing to the rear and a large glazed surface lining the adjacent double-height circulation area face out onto the forest. At the far end of the first floor, sliding glass doors lead out from the kitchen onto a terrace.
The material palette –concrete, steel and anodised aluminium– was chosen to complement the tones and textures of the surrounding environment. Each material is applied in a raw, untreated form. Internally, the walls are finished with smooth concrete, while the rough-sawn Douglas fir beams supporting the ceilings feature a distinctive grain.
West 8, Adriaan Geuze, is responsible for the garden design.
Photography is by Christian van der Kooy
