In Wassenaar, 40 duplex houses owned by the housing association St. Willibrordus have been replaced by 86 social rental dwellings, primarily intended for starters and seniors.
The site of the new social housing lies within a village extension from the 1960s. At the time, this was the northernmost district of Wassenaar — spaciously laid out, with views over meadows and farmhouses. In designing the plan for the replacement housing, we built upon the core qualities of the existing neighborhood: generous street profiles, front gardens, and abundant greenery.
The new social housing is distributed across six buildings arranged around a shared courtyard garden. By removing the Stompwijckstraat that previously ran between the plots, space has been created to accommodate residents’ parking within the block, while also allowing room for the communal garden. Along this garden, a community facility has been incorporated.
The buildings feature a formal frontage with so-called ‘zoom dwellings’ on the ground floor — shallow homes with their entrance and a small front garden facing the street. The rear sides adjoin the parking area, which is located beneath an open, green deck. The existing tree structure of the area has been preserved. To ensure privacy for the front gardens, a green strip separates them from the sidewalk. The upper-level homes are accessed via wide external galleries.
The urban design was created by Studio VVKH. To ensure the buildings align in scale with the surrounding structures along the long streets, the façade of the top (third) floor is set back slightly from the building line. The balconies create a connection with the street and are subtly angled to optimize orientation toward the sun. On the northern park side, the buildings are more robust in character, with their height responding to the adjacent apartment block.
| Architects | Thomas Gillet, Gerrit-Jan van Rijswijk |
| Client(s) | Housing association St. Willibrordus |
Urban development and architectural integration “Vomar” location, corner of Abraham van Rooijenstraat and Maarten Kruijtstraat in Noordwijk
From an urban planning point of view, the contours and height of the building plan were determined by the municipality of Noordwijk. The plan clearly defines the streets Abraham van Rooijenstraat and Maarten Kruijtstraat, in line with the existing street profiles. Gasthuissteeg will also have a clear boundary with this building plan.
The main mass has an intermediate scale between two worlds present in the environment. On the one hand, there is the smaller-scale village development of the Hoofdstraat and on the other hand, the large-scale hotel development. The mass of the new building block to be built is 3 storeys high plus a roof storey. It is articulated into a number of volumes, softening the scale of the building block. These volumes are made independent by different colors of masonry and roof finishes. With a play of rhythm between balconies, windows, tires, roof moldings and a green-copper-colored roof, the building blends in well with the seaside resort architecture of the environment. The mass on the Gasthuissteeg is 2 storeys high. It has a green facade with window openings. On the north side of the plan, the existing firebreak will be closed and the buildings will close directly on the adjacent plot.
The plan is mainly sustainable because of the triple land use. The building block has an underground floor, on top of that a storey layer, above that a parking deck for the houses and 42 houses.
Abraham van Rooijenstraat is an important access road. That is why functions such as the entrance to the underground parking garage, the entrance to the parking deck on the 1st floor in front of the houses, and the entrance to the expedition have been made here. The Kruisstraat will become more traffic-calmed. This will be the world of shopping as it is at the Hoofdstraat. This is where the shopping functions will be located, which are accessed via two clear entrances at the corners. These entrances are clearly visible from the Hoofdstraat and from the Grent.
The entrance to the houses is on the north side. This will give the existing loading and unloading yard, where other residential accesses are located, a quality impulse. The gallery facade, which is hardly visible from the public space, is conceived as a veranda world. It's a light world of painted wood.
Villa Meijendel takes its name from the nature reserve in which it is located, where a forest meets a valley of dunes. The house is constructed from concrete and set into the side of a sandy slope. The building's design aims to create a dialogue with its surroundings, both through the way the form and materials engage with the landscape, and through the use of glass to provide views out from and into the house.
The boxy geometric structure is entirely clad in charred timber, creating a textured black surface that appears different depending on how sunlight falls on it. The exterior finish, inspired by the ancient Japanese shou sugi ban technique, also helps to preserve the wood. Sometimes the house is almost invisible against the dark edge of the forest, sometimes it sparkles in the sunlight because of the glittering charred wood, as such forming a background for the play of shadows of tree trunks and branches. The villa hides and reveals itself in the landscape.
The property has its entrance on a middle level accommodating an office and two bedrooms. Stairs ascend to an open-plan kitchen and living space, and drop down to a master bedroom and gym room.
The living room features a full-height corner window that looks out through the trees towards the dune valley. A lower window facing to the rear and a large glazed surface lining the adjacent double-height circulation area face out onto the forest. At the far end of the first floor, sliding glass doors lead out from the kitchen onto a terrace.
The material palette –concrete, steel and anodised aluminium– was chosen to complement the tones and textures of the surrounding environment. Each material is applied in a raw, untreated form. Internally, the walls are finished with smooth concrete, while the rough-sawn Douglas fir beams supporting the ceilings feature a distinctive grain.
West 8, Adriaan Geuze, is responsible for the garden design.
Photography is by Christian van der Kooy
The plan ‘de Biezenhof’ is part of the new residential area ‘Waterrijk Woerden’ and is situated along a natural watery region. The urban scheme of ‘Waterrijk Woerden’ was designed by West 8 and refers to the traditional Dutch water cities such as Delft and Leiden. The design is made in collabiation with Klunder architects. Almost every dwelling is individual and has a specific connection to the water.
The plan of Biezenhof is divided in two parts: there is one block of family houses around a courtyard on the edge of the lake, and there is a row of water houses and apartments along a canal.
The buyers of the houses could choose between several types of houses as well as between four architects. Due to the possibilities in combining type and architect, not one house is the same. Every house has a singular character: the lake houses have a beautiful view on the lake, the street houses have a garden, and the canal houses enclose big terraces. In the public space there are a few parking places, the majority of parking places are organised in garages.
The houses designed by Knappers are characteristic because of the huge roof overhanging the façade. This contributes to the shelter-against-the water identity of the houses, and refers to the greenhouse glass constructions in the low lands. At the street side these houses are made of brick, which gives them a closed and open (to the light and the water) individuality.
For the residential house Rapenburg 49 in Leiden, a listed national monument, we designed a plan that both enhances sustainability and strengthens the building’s historical and spatial qualities.
The house consists of a front and rear section. The period rooms in the front house have been restored to their former glory — original details and colors were reinstated, and new wall coverings were applied. The family, with two children, lives in the rear house, which they wished to renovate as sustainably as possible.
By implementing a breathable insulation system, a new insulated ground floor, and an air-source heat pump, the rear house has been successfully taken off the gas grid. During the renovation, the layout was improved, and a dormer and several roof windows were added. The connections on the ground floor between the kitchen and living/dining room, and on the upper floor between the bedroom and library, were reinstated. In all interventions, a careful balance between modern technology and historical awareness was sought.
The project was realized in close collaboration with the client, restoration company Burgy, and Erfgoed Leiden.
Photography: Arjen Veldt
